The Art of The Persian Santur Vol 03 پرويز مشكاتيان

Parviz Meshkatian__

Parviz Meshkatian – SANTUR

Dastgah-e Segah

Radif of Mirza Abdollah

دو نوازی سنتور و تمبک

در دستگاه سه گاه
استادان : پرویز مشکاتیان و ناصر فرهنگفر
در غم و در آمد ، بداهه سه گاه ، چهار مضراب مخالف ، مخالف سه گاه ، چهار مضراب پگاه
روحشان شاد
ع.الف.ساده

Biography

Born in Neyshabur in 1955, he began his musical training at the age of six with his father Hassan Meshkatian, who was a professional tar and santur player.

He learned the radif, the total collection of more than 200 gushehs — traditional melodic entities — in all 12 dastgahs, studying under Iranian maestros Nur-Ali Borumand and Dariush Safvat.

He was also a student of Mohammad-Taqi Masudieh, Abdollah Davami, Saeid Hormozi, and Yusef Forutan, who helped him improve his skills.
After some years, he became one of Iran’s most prominent musicians.

In 1977, Meshkatian founded the Aref  Ensemble with Hossein Alizadeh and Mohammadreza Lotfi. The group performed many concerts in Iran, Europe, and the Americas. He was also one of the founding members of the Chavosh Artistic and Cultural Foundation. The Chavosh foundation has played a major role in the development of Iranian music for a few decades.

He also performed with some of Iran’s greatest vocalists like Mohammadreza Shajarian, Shahram Nazeri, and Iraj Bastami.

(see also :http://www.youtube.com/watch?v=-43xxsykeVs)

The collaborations resulted in the creation of the albums “Bidad”, “The Court of the Beloved”, “Mystery of Love”, “Nava”, and “Dastan”, which are all very popular in Iran.

Meshkatian toured Europe and Asia and regularly performed in countries such as France, Germany, England, Sweden, Netherlands, and Denmark. In the spring of 1982 he published the book Twenty Pieces for Santour. In spring of 1992 Meshkatian and the Aref Ensemble won the first prize of the Spirit of the Earth Festival in England.

Der wohl größte Santur-Spieler unserer Zeit starb im Alter von nur gerade 54 Jahren. Meshkatian galt als genialer Musiker, Komponist und Orchester-Leiter und war einer der wenigen Giganten der klassischen persischen Musik. Er war eines der Gründungsmitglieder des Aref Ensemble’s (gegründet 1977) und vom Sheyda Ensemble. Er tourte durch Europa und Asien und trat regelmässig in verschiedenen Ländern Europas auf. 1982 veröffentlichte er das Buch ‚Twenty Pieces for Santour’. 1992 gewann er mit dem Aref Ensemble den ‘First prize of the Spirit of the Earth Festival’  in England. In Zusammenarbeit mit Mohammad Reza Shajarian produzierte Meshkatian einige der schönsten Aufnahmen  der zeitgenössischen persischen Musik.

Meshkatian starb am 21. September 2009 viel zu früh an einem Herzinfarkt. Die Welt verliert mit ihm ein Genie der klassischen persischen Musik.

در گذشت پرویز مشکاتیان

رفتی و رفتن تو آتش نهاد بر دل                              از کاروان چه ماند؟جز آتشی به منزل

خبر تاسف بار درگذشت استاد پرویز مشکاتیان هنرمند گرامی و بی همتای موسیقی باعث تاثر وتاسف همگان به خصوص اهالی موسیقی وهنرمندان عزیز کشورمان ایران شد

هنرمندی که با نغمه های گرانسنگش یادها و خا طره های زیادی را در دل مردم به یادگار گذاشت و دلش همیشه برای آزادی و تعالی مردمش می تپید و به فرهنگ بومی و ملی ایران سخت دل بسته بود و از فرهنگ بیگانه به شدت دلزده…  پرویز مشکاتیان در تاریخ 21.سپتامبر به علت ایست قلبی در منزل شخصی خود دار فانی را وداع گفت و با رفتنش ملت ایران و به خصوص جامعه موسیقی را داغدار کرد

افسوس و صد افسوس

شرکت فرهنگی هنری سه تار ضایعه درگذشت این هنرمند گرامی و بی همتا را به ملت ایران و جامعه هنری تسلیت گفته و آرامش روح آن فقید را از خداوند مسالت می نماید

شرکت فرهنگی و هنری سه تار

Parviz Meshkatian_Memorial

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The gem of the Persian music ring passed away

The news of Parviz Meshkatian’s death was an unbearable and unbelievable.  The Iranian music community and many ordinary people burned with the grief of losing one of the most influential artists in the genre of Persian classical music and the source of musical creativity. Meshkatian was born in the year 1955 in the city of Neishabour. The city which is located in eastern Iran, the province of Khorásán. If Iran’s history can be divided into two main phases which are pre-Islamic Iran and Iran after the advent of Islam, Khorásán will be the cradle of Iranian art and science in the second phase of its history. This region is the birth place of Persian poetry and mysticism as well. It is where Ferdosi, Attar, Khayam, and many others were born and raised. Meshkatian started his musical training at the age of six with his late father, Hassan Meshkatian. The late Meshkatian played the tar and the santur masterfully and was also familiar with the violin and the setar.
Meshkatian entered the Music College of Tehran University and studied theory and technique with the masters Nur Ali Borumand, Dariush Safvat, Mohammad Taghi Massoudieh, and Mehdi Barkeshli. He chose the Radif of Mirza Abdollah as his main topic of research. After finishing his academic studies, Meshkatian continued the study of music with such masters as the late Abdollah Davami, Saied Hormozi, and Yousef forutan. He won the first prize of Barbad competition in the field of santur.

Meshkatian was among a few musicians who demonstrated his incredible musical creativity and talent since his early age. While he was still in his twenties, Meshkatiyan joined the Iranian Radio and began to collaborate with many distinguished musicians.  He was one of the founding members of the Aref Ensemble, founded in 1977. He was also one of the founding members of the Chavosh Artistic and Cultural Foundation. The Chavosh foundation which was both a conservatory and cultural center played a major role in the development of Iranian music in the recent years. At Chavosh, Meshkatian cooperated with the influential musicians such as Mohammad Reza Lotfi, Mohammad Reza Shajariyan, Hussein Alizadeh, and Shahram Nazeri. Meshkatiyan along with Lotfi and Alizadeh composed and performed many beautiful pieces which attracted the youth and made Persian classical music popular among the younger generation.

One of the main aspects of Meshkatian’s character was his awareness of the political and social situations of his time. In 1979 before the Islamic Revolution when the country was in its political upheaval and some people were killed in the event of the Jale Square, he along with the musicians of the Chavosh Institution resigned from the Radio. He composed several songs during the Revolution which became very popular. Two of these songs sang by the most famous singer of Persian classical music, master Mohammad Reza Shajarian.

Listen to the song “Hamrahsho Aziz” composed by Meshkatian and sang by Shajarian

Meshkatiyan composed many beautiful pieces in different genres of Persian classical music. He composed many songs for master Shajariyan and produced some of the most beautiful recordings of contemporary classical music of Iran. Meshkatiyan also composed many instrumental pieces which are very beautiful and rich in the technical sense.

Master Meshkatian performed in Iran and throughout the world. In spring of 1992 Meshkatian and Aref Ensemble won the first prize of the Spirit of the Earth Festival in England. Master Meshkatian also taught the santur and radif at the music college of the Tehran University, Chavosh Institute, the Center for the Preservation and Dissemination of Music, and also privately. Many of Iran’s santur players of the recent generations have been his students or have been influenced by him. He also published the book titled “Twenty Pieces for Santur” and many of his works are ready to be published.

Meshkatian was not among those musicians whose works are only appreciated by the experts. In fact, his works were understood by the masses and admired by the experts. He is among the major figures who, in the past thirty years, have revolutionized the Persian classical music. His innovative approach of combining the traditional with new elements, both in terms of music and technique, has injected a new vitality into a very old tradition. His original creativity and the deep-rooted emotional quality as well as the knowledge and understanding of the Persian classical music repertory or radif as well as Persian poetry have made him a unique figure in the realm of Persian music. As master Hassan Kasai, the prominent nay player of Iran, wrote as a part of his condolence letter “Meshkatian was the gem of the Persian music ring”.

Master Parviz Meshkatian passed away after going into cardiac arrest on September 21, 2009. He died at the age of fifty-four in Tehran. God bless him

(Written by Aryan Rahmanian)

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About RAM Chandrakausika राम च 51

Ram51 is a researcher in the various fields of Musicology, Philosophy and History as well as old languages. One of his first topics is the wide scope of Indo-arabic cultures as represented in various art-forms religion and history. Below a list of selected Research topics which sum up partitionally the task of anthropological Frameworks in totaliter : Sanskrit Hinduism and Mythology Hindustani Music, The Muqhal Empire Gharanas from North India Kashmir Sufiyana The Kashmir Santoor Traditional Folk Music from USA Philosophy in Orient and Okzident Genealogy of musical instruments Ethnomusicology, Arabic Maqams, No Theatre fromJapan, North american poetry, Cultural heritage of mankind and Islamic architecture... View all posts by RAM Chandrakausika राम च 51

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